This sweetie is Abbot. He’s a 15.2hh 2004 Quarter Horse gelding in training for the A circuit hunter shows. Believe it or not he jumps well over 4ft.
Category: Watercolor
Floral and Fairy Watercolor Paintings
Meet the Horses–Erin, the Thoroughbred
This is Erin. She’s a 15.3hh 1998 Thoroughbred mare. Her great grandfather was Seattle Slew. She was trained for steeplechase racing but never ran because she was too small. She’s the love of my daughter’s life.
Experimenting With My New Tools
The first thing I did when I unpacked my art supplies was to grab a sheet of watercolor paper and start experimenting. I wanted to try out my tools to see what they could do. So I grabbed a cup of water and a couple sheets of paper towels, picked up a paint brush, and got down to business. It wasn’t long before my daughter, Greta, joined in.
So we stood there at the breakfast bar at 9:00 pm, still in our work clothes, and played. We tried wet-on-wet techniques (wetting the paper before paint is applied), dry painting techniques, using the paint straight from the pans or tubes, mixing colors, layering colors, adding ink details after the paint dried, adding ink first and applying paint afterward, layering multiple washes of paint, and lifting sections of paint with paint brushes or paper towels. Here’s the end result of our little play session:
A Peek Inside My Toolkit
Look at all these beautiful art supplies and the pretty box in the background where I plan to store them. I can’t wait to get started.
My Shopping List
Once I decided to use watercolors as my medium I visited several of my favorite art forums and blogs and assembled a list of materials to help me get started. I purchased watercolor paint in both half pan blocks and tubes since I didn’t know which product would work best for me. Here’s a peek at my shopping list:
- Cotman Watercolors by Windsor & Newton–#654 Turquoise, #538 Prussian Blue, #322 Indigo, #502 Permanent Rose, #095 Cadmium Red Hue, #089 Cadmium Orange, #118 Cadmium Yellow Pale Hue, #744 Yellow Ochre, #076 Burnt Umber, #731 Windsor Yellow Deep, #489 Permanent Magenta, #672 Ultrarmarine Violet, #379 Manganese Blue Hue, #637 Terre Verte, #311 Hooker’s Green, #447 Olive Green, #074 Burnt Sienna, #507 Pereylene Maroon, #554 Raw Umber, #465 Payne’s Gray, #217 Davy’s Grey, #331 Ivory Black, and #150 Chinese White
- Daler-Rowney FW acrylic ink in Burnt Umber, Evergreen, Olive, Black, and White
- Koh-i-nor ink nibs and holders
- Pigma micron 05 pens color set – 16 pens
- Derwent 6H drawing pencils
- Windsor & Newton Cotman Watercolor Round Series paint brushes in various sizes
- Windsor Newton water color art masking fluid
- Acquarello Watercolor Artistico Extra White 100% Cotton (Grana Satinada Hot Pressed) paper by Fabriano
- Aquarelle Fontenay 100% Cotton paper (Fine Grain, Cold Pressed) by Canson
- Ultra-slim Light Panel light box by porta-trace
I found some of these items at Michael’s craft stores, some at a Benjamin Moore Paint store that had an interesting artist’s loft upstairs with a small selection of art supplies (and a coffee bar), and the remaining items at www.DickBlick.com. All totaled, this was quite an investment. The final bill was well over $500.
Good Afternoon!
For the past 20 years I’ve earned a living as a professional artist generating computer graphics for a variety of clients and corporations. I haven’t picked up a paintbrush in years. But recently I’ve felt a strong urge to get back to basics and create art the old fashioned way–with paints and a paintbrush. So here I am with my first post on my new art blog. I’ve chosen to focus on watercolors because I love their transparency and versatility and mostly because I’ve never used this medium before and wanted to try my hand at something new. I love a challenge.
But first I had to assemble my artist’s toolkit. So I visited my favorite art blogs and made a list of the tools of the trade and began to assemble my kit. It took me a while to acquire all the items on my list. There aren’t many brick and mortar art supply stores in my area. I wanted to be able to see and touch my art supplies, to hold them in my hands and try them out before I purchased them. I found most of what I needed at a local art supply store and two different craft stores, but had to purchase the remaining items online.
It wasn’t a cheap undertaking. At each store I spent about $150.00. That brings my total initial investment to about $500.00 spent over the course of several weeks. But enough of this babble. It’s time to jump in with both feet–or both hands in this case. So, sit back, grab a cup of coffee, and follow along as I explore this new medium. I hope you enjoy my work. I look forward to your feedback and comments.